Oʻzbek va qozoq yor-yorlarining boshqa toʻy qoʻshiqlari bilan munosabati

Abstract

Unique and similar aspects of the genre when analyzing the
specific place of performance, method of performance, purpose of
expression, poetic features, structure, rhyming of "Yor-yor" songs related
to wedding ceremonies of Turkish peoples is noticeable. The folk form of
artistic expressions in wedding songs performed with the refrain "yoryor"
in Uzbeks, "jar-jar" in Kazakhs, the role of speech in the process of
the wedding ceremony, performance skills of performers, character,
characteristics of images, magic The existence of -inonch-beliefs requires
a comparative typological analysis.
In particular, expressing the role, position, and outlook of the
father-in-law, mother-in-law, and sister in the family life is considered
an important factor in ensuring the compositional integrity of the work.
The article examines the coherence of Uzbek and Kazakh yor-yor songs
with other wedding ceremony songs. In particular, the meeting of small
ceremonies in the Kazakh wedding ceremony and the essence of the
songs performed in them or the place of performance are analyzed in a
comparative typological way with the similar Uzbek wedding ceremony
songs.