Turkiy adiblar ijodida “dunyo” konsepti va uning ma’rifiy talqini

Abstract

This article examines the essence and conceptual significance of
the notion of the “dunyo” (world) within Sufi and moral-didactic thought on
the basis of the works of Ahmad Yassavi, Sulaymon Baqirgani and Nasir al-
Din Rabghuzi. It is demonstrated that in the writings of these authors, the
image of the world is interpreted not merely as an object of moral criticism
or superficial negation, but as a sphere of spiritual trial guiding the human
soul toward self-purification and divine truth. A comparative analysis is
conducted of the religious-ethical tone in Yassavi’s Hikmats (aphorisms),
the folk-didactic orientation of Baqirgani’s works and the educationalphilosophical
approach found in Rabghuzi’s narratives. On this basis,
both shared conceptual foundations and distinctive stylistic features in
the interpretation of the world are identified. The findings indicate that in
medieval Turkic Sufi literature, the symbolic image of the world developed
in close connection with artistic, philosophical, and aesthetic dimensions,
reflecting the unity of moral and spiritual perception